‘Given’ (2016). Stop animation, duration 01:18.
Part of my practice, as an artist, is to archive the collection. This involves working with the object or objects in some way and using different media to create artworks. This way of working reveals ‘information’ – the memories and narratives. In the same way as a specialist curator, I am choosing what information takes priority, for example through the placing and sequencing of the objects in the animations. The objects aren’t just objects. They hold emotions of place, time, cultural contexts, portraits and difficult relationships.
‘[Collectors] begin… in pursuit of an answer, a consolation, even a palliative for a pain, a resolution of difficulty, or a simply out of a dark compulsion.’
Orhan Pamuk, ‘The Museum of Innocence’.
Orhan Pamuk, ‘The Museum of Innocence’.




‘The Life of a …’ (2017). Stop animation, duration 03:06.
‘Because (in principle) things outlast us, they know more about us than we know about them: they carry the experiences they have had with us inside them and are – in fact – the book of our history opened before us.’
W.G. Sebald, ‘Unrecounted’.
W.G. Sebald, ‘Unrecounted’.




